The Right to Privacy

While Michael Moore is obnoxious with his in-your face tactics, I usually agree with him on most issues. I’m certainly in favor of gun-control and agree, as Moore pleads, that America should not look away from the gruesome results of our inaction. But this somewhat veiled call he makes for releasing Sandy Hook school crime scene photos is disturbing.

There is no doubt that photographs can and often should be used to effect positive change. Moore includes many memorable ones in his article. These images taken by photographer Ron Haviv during the Bosnian war are  evidence in the Hague War Crimes trials. Just recently, I wrote in this post about being moved by the late Tim Hetherington’s legacy.

But there is something fundamentally different about releasing police photos from a crime scene without the consent of every one of those affected families. Do they want those horrible images out there? Here are some of their voices. (and a petition, if you’re moved to sign)

Imagine those photographs and imagine your children seeing them.

I can, if only a little. When I discovered my husband’s body in the garage, I managed to get my 8 year old daughter out of the house without her seeing the gruesome scene of his suicide. Although she knows how he died, she has no visual. A decade later, her memories are of her living, flawed but loving, handsome father. Only one image of how he died exists and it is imprinted in my mind – not hers. That feels like a blessing.

I hesitate to draw a comparison between my personal tragedy and the horror in Newtown. Except that all parents want to protect their children. And sometimes we can’t. But when it is possible, this right should not be taken away – and certainly not from these families.

* Update: The photos will not be released. Connecticut comes through again. Bravo.

Portraits of a War Photographer

Last week, between watching Sebastian Junger‘s beautiful film homage to his friend, Which Way Is the Front Line From Here? and reading Alan Huffman’s Here I Am: The Story of Tim Hetherington, War Photographer, I feel like I knew this remarkable man. And I mourn his loss. th

I’ve thought about why I was so affected by this man, this story of Tim Hetherington. It doesn’t hurt that besides being extremely smart, charming, kind, and of excellent character, Tim was also handsome. With all of this, how could one not fall a little in love with him? Clearly everyone – women and men – did. But there’s something else about him that got under my skin, something sad and familiar.

In Junger’s film, there is footage of Tim during his first experience of war in Liberia.  Visibly buzzing from shock and adrenaline after a very close-call, he says something about feeling stupid for taking the risk – ‘all for a fucking photograph’. Yet he kept at it, making his way to war-zone after war-zone, with his clunky, old-style camera. He took the risks repeatedly, although his images were primarily faces, portraits of intimacy, capturing something internal, not typical war-action shots.

At a weirdly prescient talk in Moscow given not long before he was killed by mortar shrapnel in Libya, he tells his audience that the odds of staying safe the longer one kept at it, were not good. He knew. He knew early on in his career and yet, compelled, he continued, going closer and closer to the edge. Huffman writes that Tim recognized a pattern of behavior among soldiers and “He also saw the same patterns of behavior in himself. They were all looking for a sense of purpose, which the extremes of war gave them…”

In the film, one of the scenes that moved me the most was Tim with his family. The room brims with love as Tim kisses his mother, embraces, and holds his father. This footage was as affecting for me as the images of violence. He was so loved by family, friends, his stunning, smart girlfriend. Why did he leave them to knowingly move towards death? What did he seek? Yes, he left a powerful body of work behind — but it cannot outweigh the tremendous sense of loss that this fine man is no longer with us — too young. Read Huffman’s book and see Junger’s film and you will feel it too.

Something infects those who go to war – a kind of madness with no apparent cure. An essence of human nature is laid bare only out in those fields, amidst the mortared rubble. The weird and compelling intensity is like no other and impossible to adequately describe to one who has not experienced it. But Junger and Huffman have each done as brilliant a job as their subject did, in their loving, honest portrayals of the remarkable life of Tim Hetherington.

What a Painting Reveals

My remarkable friend Naomi in Kyoto, has generously featured a collage of mine on her website’s Chasing Writing in Art link. It’s humbling to be there with so many amazing artists.

Here’s my collage and a few words. Please check out Naomi’s site here.

Return from Journey Collage 1998 24 x 36 inches / approx. 61 x 91 cm
Return from Journey
Collage
1998
24 x 36 inches / approx. 61 x 91 cm

I painted this piece at my home in Connecticut about two years after returning from living and working in a war zone. From June 1992- June 1996, I was with the United Nations Peacekeeping Operation in Former Yugoslavia and UNICEF in Croatia and Bosnia. During that time, I met and married my husband and Molly was born.

I remember setting up my paints in front of the fireplace, imagining I’d capture a peaceful image. Instead, what I see now in this image, is torment. I recall the turmoil and demons we were living with, even as the trappings of our life seemed ideal. It was a struggle for us – especially my husband – to switch gears to a normal life away from war. The supposed tranquility  of a chair in front of a fireplace – this scene that should be cozy, looks like the center of a storm.

Indeed, it was. 

I still live in this house and love sitting by the fire. Twenty years on since the Balkan wars ended, almost ten since the death of my husband and these days, ghosts have mostly settled and my life is serene. I write more than paint. But I should attempt this interior again to see what would reveal itself.  I imagine it would be an image of warmth and peace – but who knows? The subconscious reveals itself almost in spite of us.

Groundhog Wars Commence

The groundhog is lurking and ravenous as ever.  A mysterious volunteer has appeared (does anyone know what this is?) next to the asparagus bed and it must be something good since the bastard has already been munching on it.

Groundhog Deterrent

We’re trying a new trick this year and it seems to be working: pinwheels. Apparently woodchucks are frightened by shiny, moving things. (Old CDs strung up with fishing line might also work ) So far, so good – these plants are recovering nicely and have yet to be munched on since we set up the spinning sentinels. Yesterday, we visited the dollar shop and loaded up on American flag pinwheels for our own  version of homeland security.

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Newly planted pea seedlings are pushing through the dirt and a few random bonus patches of lettuce, chard, cilantro and other herbs are emerging from last year. With a fresh layer of topsoil to cover the crumble of leaves ignored last autumn and we’re ready for planting.

For over a decade now, bastard (I’m sure it’s the same one) has been decimating my lettuce, soybeans (a groundhog favorite) broccoli, cucumber, squash – you name it. And every spring, in spite of my previous heartbreaks, I plant again. I refuse to give in to the bastard. For me, it’s become not as much about my wish to harvest vegetables as it is about not giving up.  The garden as a metaphor of hope. Worth fighting for.

Moving Forward

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Why aren’t we terrified to get out of bed in the morning? How is it that we can send our beloved children to venture out into the world on their own? Where do we find the courage when, like this past week in Boston, our world erupts in violence and a fog of fear descends? How is it that even when it is our own disaster, when we are at the epicenter of the storm, we carry on, eventually, finding at least a modicum of joy again?

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That light can eventually penetrate the darkest night of the spirit, fascinates and inspires me. Religion is the key for many, but I find no comfort nor convincing explanation there.  I’ve seen up close, soldiers wearing the icons of their religions, pumping their AK47s in the air as they sped towards the front line, off to kill and maim under the guise of the superiority of their own belief.  The righteousness that religion inspires feels divisive and dangerous to me and personally, I find no comfort in it.

No, what fascinates and moves me is the grace to be found in uncertainty. The ability we have to move on in our not-knowing. To just keep moving. It seems that this is what survivors do – (and we are all eventually survivors) as dark as our individual night might be, instinctually, as long as we might cling to sleep, wish for our own oblivion, eventually, a crack of light breaks through.

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It is this transcendence of the human spirit that touches me. Passing through the darkest siege, even with awful losses, violent memories, we continue. Time — terrible, wonderful, time keeps us shifting forward through the bleakest winters, through the insanities of war. And one day, we meet the spring – more beautiful than we remember – we go on, stepping forward, into and beyond the fear. A force of nature, of spirit, of love. A beautiful mystery.

Exquisite Grief

coverThese last (I hope) wintry days, I want to hunker down and hibernate. Call me when the daffodils are in bloom and all the last chunks of snow have melted. I’ll be reading. While not able to hide out under blankets by the fire all day, I have been reading quite a bit. And books I love so much, I must tell you about them. Last week was Ruth Ozeki’s new novel and this week, an amazing memoir.

The thought of losing a child is too awful to contemplate – but worse yet – your entire family? Unbearable! But survivors live on. It seems remarkable that the impossible weight of such sorrow can be carried, that one day, the bereaved again feel some pleasure in the warmth of the sun, can smile. Miraculous. And true.

There is the woman who lost her children and parents in the Christmas fire in Stamford a few years ago who I’ve written about before here. The anguish seems unbearable and yet, she bears it.

What about being on vacation and having your entire family swept away in a wave and somehow, although you have been swallowed by that same wave, you survive? That’s just too much, isn’t it? Wave by Sonali Deraniyagala is that terrible true story. Breathtaking in tragedy, and in beauty. It seems impossible. Yet Deraniyagala, who lost her husband, two young sons and her parents in the tidal wave that hit Sri Lanka in 2004,  has created something beautiful out of that terrifying story.

Beyond the incredible scope of the facts of being hammered by a terrifying surge of ocean, her recollection, her rendering, is stunning. We are swept away with the author by the wave that continues to drown her in unspeakable, maddening grief. She holds the reader in the vice grip of her memories.

Deraniyagala did not want to live without her beautiful boys and her husband and only the vigilance of her family in Sri Lanka prevented her from ending her life. Finally, she does what, in the flash of the second we might dare to imagine: she carries on. Cheryl Strayed (author of the brilliant memoir, Wild ) gives details and a fine review of  Wave here in today’s Sunday New York Time’s Book Review.

Wave is deceptively slight, a tiny book with a simple black cover. Inside is a diamond exquisitely carved from the author’s rage, her heartbreak – but most of all, her fierce and beautiful love. A love that lives on, lucky for us, with her.

A Remembered Peace

Yesterday, although bitterly cold, was so bright and fresh, I wanted to be outside. I gathered twigs and branches as kindling for the fireplace. We’ve had a fire every night recently – a beautiful, antidote to the cold night – even if it’s mostly aesthetic. Then I decided to prune back the butterfly bushes. I’d intentionally left them an explosion of woody branches until now, to provide a perch for the birds and perhaps, seed still hidden in the dried-out flower heads. Yesterday, I lobbed them off. While I was at it, I tackled the roses. I know: you real gardeners out there are probably flinching. What was I thinking? Somewhere in my memory banks I recalled that roses should be cut before spring. Only today I read it’s best to do so when at least the forsythia is in bloom. Uh-oh. But look, I took this photo yesterday — proof that spring is on its way.

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In any case, that wasn’t what I was going to tell you about. While out cutting back the Budelia bush, Nuthatches started to swoop around on their way to the feeder beside me. Iphone in my shaky hand, I tried to get a photo or two.  Standing there in the cold, very still, the birds tweeting about me, I flashed back to being a young girl. I was up in the woods behind the house my parents owned in Canaan, NY,  our weekend get-away from NYC. I loved it there. A city kid by birth, I longed to be a nature-girl, living in the woods, eating off the land and while there, I pretended I was. A Stalking the Wild Asparagus devotee – I even dug up dandelions from Van Cortlandt park and cooked up the little flower buds for my 5th grade classmates at PS 95. (hint: butter makes anything yummy)

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Wandering alone ‘up the hill’ into the woods behind the house was heaven for me. Stepping gingerly, trying to be quiet enough I might catch sight of a deer. In early summer, I searched for wild strawberries and blueberries in the hidden field on the other side of the wood. I dozed in that abandoned meadow, absorbing bird and insect sounds but mostly silence. Sometimes, in the winter, I stood for what seemed forever in the snow, my arm still as a lamp post, bird seed in my cupped hand, hoping a fearless Nuthatch might land on me to steal a snack. They came so close, chirping in my ear, inching upside down along the branches very near to me, yet never touched my icy hand.

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Yesterday, standing by the feeder, that girl again, I recalled the joy I found in my walks, in those frozen moments of watching and hoping for contact. And this time, trying at least for a good photo. As you can see, not much success – but still, it was precious, being still, watching, waiting. A kind of meditation and a sweet reminder to me of what decades later, remains a way to peace.

Naked Suicide

Recently, the number of visitors to my blog increased incredibly.  Why? The piece on the Newtown tragedy perhaps? It wouldn’t be my Department of Motor Vehicle post…who from Columbia, Romania or Turkey would be interested in that?

No. The hits from countries around the globe were actually looking for a tattooed woman in (and out of) sexy underwear. Not me, silly. My flesh has no ink and I assure you, my lingerie is not even remotely titillating.

The search term that brought this wild number of visitors my way was ‘tierney suicide’.  At first I thought a famous Tierney (can you think of any besides the long-dead, Gene?) must have committed suicide.  Nope. Tierney is the name or moniker of a young woman who is part of the SuicideGirls. (here is Wikipedia‘s description if you’d rather not click on the link.) “SuicideGirls is the nationwide art sleaze phenomenon.”  according to the Los Angeles Times. I doubt many of these accidental visitors stuck around for long on my modest blog.

It may be generational, but the idea of posting naked photos of even the younger, cuter me across the world-wide-web, makes me squirm. In college I sometimes paid my rent modeling for life drawing classes in the art department so it’s not that I am really that much of a prude – just a bit of one. Besides, times are different – scarier, more exploitative. But I try not to judge. Hey, to some extent, I too ‘get naked’ on my blog.  The kind of writing that interests me, requires I reveal more than most people are inclined to do.

No, it’s not the nudity that disturbs me – it’s what they call themselves: “SuicideGirls”.  I get they want to sound edgy, alternative, cutting edge, but it is a weird association.  There are over 30,000 suicides a year in the United States and for those of us left behind, the word suicide does not evoke sexy. And if  suicide searches are bringing the voyeurs to my blog, the survivors in looking for some understanding and solace, must also be stumbling onto the naked-girl site. Hmm.

Avoiding the words or images that trigger traumatic memory is impossible. For the first year or so, the moment I found my husband seemed branded behind my eyelids. Time has help fade this picture but flashbacks are unpredictable. A new title faced-out in the history section of the bookstore I work in, features an image of a noose. I can’t tell you the title because that’s all I saw. A pit opened in my gut and now I know to avoid walking past that shelf. Even those seemingly benign ‘hangman’ games remind me. I’ve learned to swallow and move on.

I choose to still look into and explore my dark, sad place – but prefer to do so on my own terms, on my time. That kind of control is not always possible. I cannot hide book jackets or edit scenes of movies or television shows. Nor can I protest the name of this girly site.

After the horrible shooting in Newtown, a town only 30 minutes away from here, many customers in the bookstore complained about the piles of gun collector books long gathering dust in our remainders section. Rightly so, the company I work for doesn’t censor – but nor is it insensitive. We took the books off display.  It was a simple thing to do in this raw time.

Survivors learn to live with randomly provoked memories. We must: reminders are everywhere. What some see as amusement, sport or even ‘art’ — can painfully elicit our memories of tragedy, of violence and can be hard to swallow. I guess that’s why I’m not thrilled by all the passing traffic — it’s just that they took a wrong turn.

“What Saves Us All Is Love”

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Shadowed by the deaths of little children and their teachers, the holiday season in Connecticut passed heavy with sadness. Thoughts of grieving neighbors tempered every day. As I moved through my days at the bookstore, acknowledgement was shared in the minutes spent with strangers while finding or bagging their books. These usually frantic exchanges before Christmas, slowed slightly by a connection of shared sorrow. The season, while bleak, had a poignancy. Customers were kinder. As if feeling the rawness and wonder: how do we go on after these unbearable losses?

Healing seems impossible. How will those parents ever again smile, feel any joy? Yet look: here is the face of the mother that last Christmas of 2011, who woke to a house in flames that killed her three beautiful girls and her parents. In these photos she looks beautiful, smiling, surrounded by her friends who all draw close to her, loving her. Yes, there she is, a year later, living life. In pain, of course — but surely glimpsing a light. For these past 365 days she has carried on with that unbearable weight of her horrible loss — as others have before her. How has she done this? How will the others?

Love, Madonna Badger, the grieving Stamford mother says, saves us all. When we are in the dark night of grief, it seems that light might be smothered, but somehow – lit it stays. This remarkable essence, this life, makes us extraordinary. Inevitably, we all will experience deaths of our loved ones. While quietly we are grateful that this time, this terrible story is not ours, that it is not our beloved, we glimpse the truth that it might have been. And so, a very little bit at least — it is. Helpless to make anything better, we still want to take action, to comfort. Even knowing there are no words, we reach out to our friends and strangers alike, sending messages – because in this world of grieving, no one is really a complete stranger, not for long.

Out of this longing to do something we shower the Newtown community, with toys for their children. Chances are, those families did not need more under their trees but the rest of us needed to do something. To show our love. We drive through blizzards to gather around parents mourning the death of their child. No words can comfort, but we can fill a room, our faces glowing with tears, we can acknowledge and share the one thing that we hope may keep our friends, our fellow humans going forward: love. It is what saves us all.

No Words

Reflecting on loss and moving beyond sadness is a theme of my writing, of this blog. The passage of time since my own experience makes it possible for me to write of it. Today, drowning in grief, I feel ill equipped.

Sandy Hook is not far from my home — less than half-an hour. Those parents are my neighbors. They are all of our neighbors.

The early news alert came to me as an email at work — a shooter now dead and one other adult also killed in a school. Terrible and crazy, I thought. So close and such an unlikely spot – an almost rural suburb compared to my city and other towns on the coast. I had not heard the full story yet and went about my morning. Less than an hour, news of the horror of the children’s deaths shifted everything inside of me to an impossible place. The intentional murder of children: unfathomable.

I know no words of wisdom on how to move beyond such loss. None exist.

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